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The Grammys aired tonight! I haven't watched the show yet but there's a list of the winners below for you guys to check out.

I think Harry deserved a win (although I would have given it to As It Was rather than the album) and I'm so happy for Kim to finally be getting the recognition she deserves <3 Not convinced Beyonce deserved an award at all for Renaissance but with that win she's now become the most awarded artist in Grammys history :awkwardney:

This is the only performance I could find uploaded but let's keep this thread updated if more performances come up!

Here is the list of winners for all categories at the 2023 Grammys.

Quote

Album of the year

  • WINNER: Harry's House — Harry Styles
  • Voyage — ABBA
  • 30 — Adele
  • Un Verano Sin Ti — Bad Bunny
  • RENAISSANCE — Beyoncé
  • Good Morning Gorgeous (Deluxe) — Mary J Blige
  • In These Silent Days — Brandi Carlile
  • Music Of The Spheres — Coldplay
  • Mr. Morale & The Big Steppers — Kendrick Lamar
  • Special — Lizzo

Best new artist

  • WINNER: Samara Joy
  • Anitta
  • Omar Apollo
  • DOMi & JD Beck
  • Muni Long
  • Latto
  • Måneskin
  • Tobe Nwigwe
  • Molly Tuttle
  • Wet Leg

Record of the year

  • WINNER: About Damn Time — Lizzo
  • Don't Shut Me Down — ABBA
  • Easy On Me — Adele
  • BREAK MY SOUL — Beyoncé
  • Good Morning Gorgeous — Mary J Blige
  • You And Me On The Rock — Brandi Carlile ft Lucius
  • Woman — Doja Cat
  • Bad Habit — Steve Lacy
  • The Heart Part 5 — Kendrick Lamar
  • As It Was — Harry Styles

Song of the year

  • WINNER: Just Like That — Bonnie Raitt (written by Bonnie Raitt)
  • abcdefu — GAYLE (written by Sara Davis, GAYLE & Dave Pittenger)
  • About Damn Time — Lizzo (written by Melissa “Lizzo” Jefferson, Eric Frederic, Blake Slatkin & Theron Makiel Thomas)
  • All Too Well (10 Minute Version) (The Short Film) — Taylor Swift (written by Liz Rose & Taylor Swift)
  • As It Was — Harry Styles (written by Tyler Johnson, Kid Harpoon & Harry Styles)
  • Bad Habit — Steve Lacy (written by Matthew Castellanos, Brittany Fousheé, Diana Gordon, John Carroll Kirby & Steve Lacy)
  • BREAK MY SOUL — Beyoncé (written by Beyoncé, S Carter, Terius "The-Dream" Gesteelde-Diamant & Christopher A Stewart)
  • Easy On Me — Adele (written by Adele Adkins & Greg Kurstin)
  • GOD DID — DJ Khaled ft Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy (written by Tarik Azzouz, E Blackmon, Khaled Khaled, F LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar)
  • The Heart Part 5 — Kendrick Lamar (written by Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer)

Best pop solo performance

  • WINNER: Easy On Me — Adele
  • Moscow Mule — Bad Bunny
  • Woman — Doja Cat
  • Bad Habit — Steve Lacy
  • About Damn Time — Lizzo
  • As It Was — Harry Styles

Best dance/electronic music album

  • WINNER: Renaissance — Beyoncé
  • Fragments — Bonobo
  • Diplo — Diplo
  • The Last Goodbye — ODESZA
  • Surrender — RÜFÜS DU SOL

Best rap album

  • WINNER: Mr. Morale & The Big Steppers — Kendrick Lamar
  • GOD DID — DJ Khaled
  • I Never Liked You — Future
  • Come Home The Kids Miss You — Jack Harlow
  • It's Almost Dry — Pusha T
  • Kendrick Lamar accepts the award for best rap album for Mr. Morale & The Big Steppers.(AP Photo: Chris Pizzello)

Best música urbana album

  • WINNER: Un Verano Sin Ti — Bad Bunny
  • TRAP CAKE, VOL. 2 — Rauw Alejandro
  • LEGENDADDY — Daddy Yankee
  • La 167 — Farruko
  • The Love & Sex Tape — Maluma

Best pop duo/group performance

  • WINNER: Unholy — Sam Smith & Kim Petras
  • Don't Shut Me Down — ABBA
  • Bam Bam — Camila Cabello ft Ed Sheeran
  • My Universe — Coldplay & BTS
  • I Like You (A Happier Song) — Post Malone & Doja Cat

Best country album

  • WINNER: A Beautiful Time — Willie Nelson
  • Growin' Up — Luke Combs
  • Palomino — Miranda Lambert
  • Ashley McBryde Presents: Lindeville — Ashley McBryde
  • Humble Quest — Maren Morris

Best R&B song

  • WINNER: CUFF IT — Beyoncé
  • Good Morning Gorgeous — Mary J Blige
  • Hrs & Hrs — Muni Long
  • Hurt Me So Good — Jazmine Sullivan 
  • Please Don't Walk Away — PJ Morton

Best pop vocal album

  • WINNER: Harry's House — Harry Styles
  • Voyage — ABBA
  • 30 — Adele
  • Music Of The Spheres — Coldplay
  • Special — Lizzo

Best rap song

  • WINNER: The Heart Part 5 — Kendrick Lamar
  • Churchill Downs — Jack Harlow ft Drake
  • GOD DID — DJ Khaled ft Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy
  • pushin P — Gunna & Future ft Young Thug
  • WAIT FOR U — Future ft Drake & Tems

Best rap performance

  • WINNER: The Heart Part 5 — Kendrick Lamar
  • GOD DID — DJ Khaled ft Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy
  • Vegas — Doja Cat
  • pushin P — Gunna & Future ft Young Thug
  • F.N.F. (Let's Go) — Hitkidd & GloRilla

Best R&B album

  • WINNER: Black Radio III — Robert Glasper
  • Good Morning Gorgeous (Deluxe) — Mary J Blige
  • Breezy (Deluxe) — Chris Brown
  • Candydrip — Lucky Daye
  • Watch The Sun — PJ Morton

Best R&B performance

  • WINNER: Hrs & Hrs — Muni Long
  • VIRGO’S GROOVE — Beyoncé
  • Here With Me — Mary J. Blige ft Anderson Paak
  • Over — Lucky Daye
  • Hurt Me So Good — Jazmine Sullivan

Best melodic rap performance

  • WINNER: WAIT FOR U — Future ft Drake & Tems
  • BEAUTIFUL — DJ Khaled ft Future & SZA
  • First Class — Jack Harlow
  • Die Hard — Kendrick Lamar ft Blxst & Amanda Reifer
  • Big Energy (Live) — Latto

Best rock album

  • WINNER: Patient Number 9 — Ozzy Osbourne
  • Dropout Boogie — The Black Keys
  • The Boy Named If — Elvis Costello & The Imposters
  • Crawler — Idles
  • Mainstream Sellout — Machine Gun Kelly
  • Lucifer On The Sofa — Spoon

Best rock song

  • WINNER: Broken Horses — Brandi Carlile
  • Black Summer — Red Hot Chili Peppers
  • Blackout —  Turnstile
  • Harmonia's Dream — The War On Drugs
  • Patient Number 9 — Ozzy Osbourne ft Jeff Beck

Best rock performance

  • WINNER: Broken Horses — Brandi Carlile
  • So Happy It Hurts — Bryan Adams
  • Old Man — Beck
  • Wild Child — The Black Keys
  • Crawl! — Idles
  • Patient Number 9 — Ozzy Osbourne ft Jeff Beck
  • Holiday — Turnstile

Best alternative music album

  • WINNER: Wet Leg — Wet Leg
  • WE — Arcade Fire
  • Dragon New Warm Mountain I Believe In You — Big Thief
  • Fossora — Björk
  • Cool It Down — Yeah Yeah Yeahs

Best alternative music performance

  • WINNER: Chaise Longue — Wet Leg
  • There'd Better Be A Mirrorball — Arctic Monkeys
  • Certainty — Big Thief
  • King — Florence + The Machine
  • Spitting Off The Edge Of The World — Yeah Yeah Yeahs ft Perfume Genius

Best metal performance

  • WINNER: Degradation Rules — Ozzy Osbourne ft Tony Iommi
  • Call Me Little Sunshine — Ghost
  • We'll Be Back — Megadeth
  • Kill Or Be Killed — Muse
  • Blackout — Turnstile

Best dance/electronic recording

  • WINNER: BREAK MY SOUL — Beyoncé
  • Rosewood — Bonobo
  • Don't Forget My Love — Diplo & Miguel
  • I'm Good (Blue) — David Guetta & Bebe Rexha
  • Intimidated — KAYTRANADA ft H.E.R.
  • On My Knees — RÜFÜS DU SOL

Best folk album

  • WINNER: Revealer — Madison Cunningham
  • Spellbound — Judy Collins
  • The Light At The End Of The Line — Janis Ian
  • Age Of Apathy — Aoife O'Donovan
  • Hell On Church Street — Punch Brothers

Best musical theatre album

  • WINNER: Into The Woods
  • Caroline, Or Change
  • MJ The Musical
  • Mr. Saturday Night
  • Six: Live On Opening Night
  • A Strange Loop

Best music video

  • WINNER: All Too Well: The Short Film — Taylor Swift
  • Easy On Me — Adele
  • Yet To Come — BTS
  • Woman — Doja Cat
  • The Heart Part 5 — Kendrick Lamar
  • As It Was — Harry Styles

 

 

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Posted

I am so happy Harry won the awards he won, as well as Harry's House's nomination in Best Engineered Album, Non-Classical. And his performance was purely brilliant. I think Beyoncé showing up late, despite everyone else facing traffic, and looking at the trophy like it was in her way, was tacky and unnecessary. The ass-kissing of Bey was also... unnecessary. Plus, the show dragged on far too fucking long. And [some] of the red carpet fashions were choices.

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Posted

I’m tired of the seeming entitlement Beyoncé and her fans appear to believe she has to AOTYA.  

Whenever it’s Lana’s year she always finds herself in a similar predicament with the Grammy Awards Committee.

I feel Lizzo should have won this year.

I just have to eye-roll whenever that awful tattooed twink wins anything.

I will absolutely cackle at Beyoncé’s reaction if Doja Cat wins next year.

  • Sad 1
Posted
7 hours ago, Dax Diameter said:

I’m tired of the seeming entitlement Beyoncé and her fans appear to believe she has to AOTYA.  

Whenever it’s Lana’s year she always finds herself in a similar predicament with the Grammy Awards Committee.

I feel Lizzo should have won this year.

I just have to eye-roll whenever that awful tattooed twink wins anything.

I will absolutely cackle at Beyoncé’s reaction if Doja Cat wins next year.

Lana is long long long overdue for an award, and Lizzo probably deserved one too this year. It's bizarre that Beyonce has never made dance music before or even been to a ballroom show but somehow just managed to win a Grammy for a gay dance album with pretty much zero promo :cackle: 

Surely this has to be a parody account :cackle::cackle::cackle:

 

 

  • LMAO 2
Posted (edited)
15 hours ago, Leaving said:

Lana is long long long overdue for an award, and Lizzo probably deserved one too this year. It's bizarre that Beyonce has never made dance music before or even been to a ballroom show but somehow just managed to win a Grammy for a gay dance album with pretty much zero promo :cackle: 

Surely this has to be a parody account :cackle::cackle::cackle:

 

 

The American right wing will never cease to not amaze me with their utterly regressive, twisted narratives and not so hidden agenda’s.

Whilst I personally do not feel the need to see Sam Smith indulge in water sports any more than I need to see Anitta indulge in assimilated cock worship, I have come to the conclusion that every generation is at this point going to now feel the need to go there.

I would be a hypocrite if I did not cite this as a reminder that (in Sam’s case), Pop already went there long ago and whether they choose to admit it or not, this scene at 3 mins, 15 secs is most likely where they took their inspiration.

Sam previously (subtly) alluded to a character in the lyrics of their previous single (with Kim Petras), having gone to an EVEN more extreme place, so in some bizarre way they are now being subtle.

I’m sure the outrage of that right wing U.S. political woman (or whatever she is) - at its core is alluding to Sam’s current video as I find it hard to believe her shock stems from that Grammy’s performance costume alone.

Particularly as the American right wing (which she clearly represents), has already taken note and “cancelled” Sam on the basis of their current video:

—————————————————————————————

Regarding Beyoncé, I personally loved her third album but have not enjoyed anything at all from her fifth album onwards and whilst that means nothing and is absolutely no reason why she should not have won this years AOTY Grammy for “Renaissance”, given how much others appear to love it .. Beyoncé is not and never has been “Disco”, nor paid anything other than lip service to that genre on an interpolation from her old track “Naughty Girl”.

So when I see Beyoncé appropriating the symbolism of the disco ball (in imagery from her current album campaign), I cannot help but feel led up the garden path in terms of where the album is going in terms of style.

PmRxvgL.jpg

in her career she has cosplayed at being Donna Summer (an artist who means the world to me) in the aforementioned track and she has also cosplayed at being Diana Ross (in “Dream Girls”).

In her quarter century of fame, Beyoncé has pissed off so many women of colour from Keri Hilson, through to Robin S and Kelis.

The last I heard, Kelis wanted to sue the writing team behind a track (titled “Energy”) from Beyoncé’s current album (including Beyoncé herself whom Kelis does not like) and although Robin S never wrote HER own signature hit “Show Me Love”, I know Robin felt hurt when (without warning) her phone started ringing non stop after the drop of “Break My Soul”, with media interest wanting her hot take on her (non) “collaboration” with Beyoncé, completely oblivious to wtf the media were talking about.

Beyoncé (it transpired) never felt the need to reach out to a veteran (still working) performer to warn her that she had lifted the baseline from her biggest (and signature) hit and needed it to sell the launch single from HER latest album.

I could go on, but suffice to say it seems to me overall there is some outstanding bad feeling pertaining to certain writer/ performers not feeling correctly rewarded for their contribution to Beyoncé’s latest opus (which may yet result in forthcoming legal drama) and therefore the Grammy Committee were perhaps already astutely aware of this and on that basis considered that a full Beyoncé AOTY award might just be a problematic bridge too far in the long term.

I cite this video at 2 hours and 7 minutes in, where the subject turns to Kelis and she goes on to describe her feelings on Beyoncé’s use of her song.

 

Edited by Dax Diameter
Pronoun shift
Posted (edited)

Harry Styles getting AOTY? I HAVE to laugh :cackle: 

I mean the record was okay, but that's about it. I don't even think it was among the most popular albums last year? At least Renaissance and Midnights would've swiped it off easily, both in quality and popularity, but okay :tragic: 

Besides that, and from the artists I know, I think Beyoncé and Adele were deserving their prizes. I'm glad Kim bagged one, but the song is so rubbish I don't know, I'll pretend it was because of The Future Starts Now instead.

And I'll die on this hill but Lana deserves at least one fucking Grammy. For ANYTHING. I really thought she was safe with Snow on the Beach due to Taylor's involvement but not even that was enough popularity??? :cypher: 

Edited by Ice Prince
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Posted
59 minutes ago, Ice Prince said:

Harry Styles getting AOTY? I HAVE to laugh :cackle: 

I mean the record was okay, but that's about it. I don't even think it was among the most popular albums last year? At least Renaissance and Midnights would've swiped it off easily, both in quality and popularity, but okay :tragic: 

Besides that, and from the artists I know, I think Beyoncé and Adele were deserving their prizes. I'm glad Kim bagged one, but the song is so rubbish I don't know, I'll pretend it was because of The Future Starts Now instead.

And I'll die on this hill but Lana deserves at least one fucking Grammy. For ANYTHING. I really thought she was safe with Snow on the Beach due to Taylor's involvement but not even that was enough popularity??? :cypher: 

I AGREEE WITH ALL OF THIS. 

  • Like 1
Posted
6 hours ago, Dax Diameter said:

The American right wing will never cease to not amaze me with their utterly regressive, twisted narratives and not so hidden agenda’s.

Whilst I personally do not feel the need to see Sam Smith indulge in water sports any more than I need to see Anitta indulge in assimilated cock worship, I have come to the conclusion that every generation is at this point going to now feel the need to go there.

I would be a hypocrite if I did not cite this as a reminder that (in Sam’s case), Pop already went there long ago and whether he chooses to admit it or not, this scene at 3 mins, 15 secs is most likely where he took his inspiration.

Sam previously (subtly) alluded to a character in the lyrics of his previous single (with Kim Petras), having gone to an EVEN more extreme place, so in some bizarre way he is now being subtle.

I’m sure the outrage of that right wing U.S. political woman (or whatever she is) - at its core is alluding to Sam’s current video as I find it hard to believe her shock stems from that Grammy’s performance costume alone.

Particularly as the American right wing (which she clearly represents), has already taken note and “cancelled” Sam on the basis of his current video:

—————————————————————————————

Regarding Beyoncé, I personally loved her third album but have not enjoyed anything at all from her fifth album onwards and whilst that means nothing and is absolutely no reason why she should not have won this years AOTY Grammy for “Renaissance”, given how much others appear to love it .. Beyoncé is not and never has been “Disco”, nor paid anything other than lip service to that genre on an interpolation from her old track “Naughty Girl”.

So when I see Beyoncé appropriating the symbolism of the disco ball (in imagery from her current album campaign), I cannot help but feel led up the garden path in terms of where the album is going in terms of style.

PmRxvgL.jpg

in her career she has cosplayed at being Donna Summer (an artist who means the world to me) in the aforementioned track and she has also cosplayed at being Diana Ross (in “Dream Girls”).

In her quarter century of fame, Beyoncé has pissed off so many women of colour from Keri Hilson, through to Robin S and Kelis.

The last I heard, Kelis wanted to sue the writing team behind a track (titled “Energy”) from Beyoncé’s current album (including Beyoncé herself whom Kelis does not like) and although Robin S never wrote HER own signature hit “Show Me Love”, I know Robin felt hurt when (without warning) her phone started ringing non stop after the drop of “Break My Soul”, with media interest wanting her hot take on her (non) “collaboration” with Beyoncé, completely oblivious to wtf the media were talking about.

Beyoncé (it transpired) never felt the need to reach out to a veteran (still working) performer to warn her that she had lifted the baseline from her biggest (and signature) hit and needed it to sell the launch single of HER latest album.

I could go on, but suffice to say it seems to me overall there is some outstanding bad feeling pertaining to certain writer/ performers not feeling correctly rewarded for their contribution to Beyoncé’s latest opus (which may yet result in forthcoming legal drama) and therefore the Grammy Committee were perhaps already astutely aware of this and on that basis considered that a full Beyoncé AOTY award might just be a problematic bridge too far in the long term.

Sam Smith uses they/them btw 

Posted

I'm definitely happy with Harry winning the main award, but I also question the nominations in general. There were so many great albums that weren't even nominated. :morning:

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Posted

I like this little indie duo called Widowspeak and I feel their album “The Jacket” should have been nominated in the Best alternative music album category. (I was already sick of Wet Leg being pushed on me by the alt music press six months ago).

Posted
1 hour ago, Cypher said:

I'm definitely happy with Harry winning the main award, but I also question the nominations in general. There were so many great albums that weren't even nominated. :morning:

Word up to miss ethel cain. 

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Posted

Other than Anitta losing, the greatest moment of the ceremony was definitely Kim Petras' speech. It was very emotional. I understand she has made problematic comments about Kesha and Dr Luke, which I hope one day she apologizes to Kesha for, but I was still so happy for her. And Sam letting her give the speech. It was so beautiful. Also happy for Lizzo winning something.

As for Beyoncé, the last album I truly enjoyed from her was Sasha Fierce, but it's hard to deny she deserved at least one Album of the Year award for any of the albums she released since, considering how revered they all were. They all seem to have made more of a cultural impact than the ones that won.

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