welp

lemme post for real this time, these are from a couple of days ago

talent is winning

7

k then I'm definitely not gonna read your post, we're even!

don't even try it bitch, that's nothing compared with this: Racialized misogyny: Wrote a racist rap song called “Foolish Pride” about how black women are dumb, bitchy, goldiggers while white women are good chicks: Foolish Pride: “Blacks and whites they sometimes mix/But black girls only want your money cause they’re dumb chicks” Foolish Pride: “I said that before, but that’s okay because like I said you’re a whore/Black girls and white girls just don’t mix/Because black girls are dumb and white girls are good chicks” Foolish Pride: “Black girls are bitches, that’s why I’mma tell ya you better pull up your britches” Has since apologized for the racism in “Foolish Pride” in the lyrics of “Yellow Brick Road”, but adds that “no matter what color a girl is she’s still a hoe. Abuse Glamorization of abuse in “Love the Way You Lie” video Wrote the song “Kim” about abusing his wife Kim: “Baby you’re so precious/Daddy’s so proud of you/Sit down bitch/If you move again I’ll beat the shit out of you” Kim: “There’s a four year old boy lyin’ dead with a slit throat/In your living room, ha-ha/What you think I’m kiddin’ you?/You loved him didn’t you?” Kim: “[sound of his wife choking] NOW BLEED! BITCH BLEED!/BLEED! BITCH BLEED! BLEED!” Wrote a song, “‘97 Bonnie and Clyde,” about murdering his wife and disposing of his body in the presence of his child ‘97 Bonnie and Clyde: “Oh where’s mama? She’s takin a little nap in the trunk/Oh that smell (whew!) da-da musta runned over a skunk” '97 Bonnie and Clyde: “And mama said she wants to show how far she can float/And don’t worry about that little boo-boo on her throat/It’s just a little scratch - it don’t hurt, her was eatin/dinner while you were sweepin and spilled ketchup on her shirt” '97 Bonnie and Clyde: “Here, you wanna help da-da tie a rope around this rock? (yeah!)/We’ll tie it to her footsie then we’ll roll her off the dock” Made fun of Tommy Lee and Pamela Anderson’s domestic abuse case in “The Real Slim Shady” Sexism/misogyny: Wrote the song “Kill you” about violently killing women Kill You: “Slut, you think I won’t choke no whore/'til the vocal cords don’t work in her throat no more?!” Kill You: “Shut up slut, you’re causing too much chaos/Just bend over and take it like a slut, OK Ma?/’Oh, now he’s raping his own mother, abusing a whore,/snorting coke, and we gave him the Rolling Stone cover?’” Kill You: “Bitch I’ma kill you! You don’t wanna fuck with me/Girls neither - you ain’t nothing but a slut to me” Predatory comments in “A Kiss:” “And you can blow me in the dark in the parking lot/Of a trailer park by the garbage/What you waiting on Me to roll up the carpet?/The condoms are in the glove compartment, lets start it! /Think I’m joking? What, am I sitting here/Trying to make fake farts with my armpits?/Tryin’ to get you to sniff pot through your nose/Am I here to amuse you? Stop it,” “If you ain’t sucking a dickWhy you sitting there with puckered lips? That’s collagen/Motherfucking bitch” Sexism in “A Kiss:” “You should be suffering, you should be cooking/You should be buckling your seatbelt with oven mitts” Objectifying comment about Nicki Minaj in “Fast Lane:” ““And I hope that I don’t sound too heinous when I say this / Nicki Minaj, but I wanna stick my penis in your anus!” Graphic misogyny in “Fast Lane:” “And he came to the club tonight with’ 5’9″ to hold this bitch down/Like a motherfuckin’ chick underwater, she tryna d-dr-drown/Shawty, when you dance, you got me captivated/Just by the way that you keep lickin’ them dick suckin’ lips, I’m agitated, aggravated/To the point you don’t suck my dick, then you’re gonna get decapitated/Other words, you don’t fuckin’ give me head, then I’m have to take it,” “What, girl, I’m the crack-a-lator/Percolator to this party, be my penis ejaculator later/Tell your boyfriend that you just struck paydirt” Skit calling women who criticize him “bitch” Rape culture in title and refrain of “Cum on Everybody” Portrays feminists as complainers who secretly like him in “The Real Slim Shady” Slut-shamed Christina Aguilera in “The Real Slim Shady,” implying she gave oral sex to male celebrities and gave him an STI Joke about sexually harassing nurses in “The Real Slim Shady:” “I’ll be the only person in the nursing home flirting/Pinchin nurses asses when I’m jackin off with Jergens/And I’m jerkin but this whole bag of Viagra isn’t working” Misogyny in “Can I Bitch:” “Hey mister, would ya care to bare witness to/The ass-whippin’ I’m about to administer/To this ass-kissin’ little vaginal blister” Wrote the song “Ass Like That” objectifying and making predatory comments about female celebrities and asking them for sexual favors Song “Shake That” objectifies women and refers to them as bitches Predatory comment in “Shake That:” “I ain’t leavin’ without you bitch/Coming home with me” “Shit on You:” “Girl you know its true/I’ll shit on you/Bitch or man/I’ll shit on you” Misogyny and pedophilia in “Shit on You:” “I haven’t had sex since I met her/I’m too busy fucking your 12 year old baby sitter /And all women ain’t shit/Only good for cooking, cleaning/and sucking dick and thats it (I said it)” Misogyny in “Shit on You:” “Nine millimeters, five criminals pulling heaters/and spilling liters of blood like swimming pools/Shiesty individuals shoot at bitches too [Bullets spray]/A lot of people say misogynistic which is true/I can’t deny it matter of fact I stand by it” Objectifying comment about Mariah Carey in “Jimmy Crack Corn:” “Meanwhile your minds on us, like mine’s on Mariah/And y’all is just like her, you’re all fucking liars/But I just keep fucking you, like I fucked her/Right in the ass with KY, yes sir!” Calls Mariah Carey a c**t in “Bagpipes from Baghdad” Objectification of Jessica Alba in “We Made You:” “Jessica Alba put a breast in my mouth, bruh/Wowzers! I just made a mess in my trousers” Misogyny in “Wee Wee:” “The things you could do with your lipstick gloss./Put it on my dick ‘til the tip looks orange./Bitch, keep going! - Bitch, keep going!” Misogyny and homophobia in “Chonkyfire Freestyle (Swag Juice):” “This girl talkin’ how she pregnant, she crazy, so later I crushed that hoe, and left baby,/And never trust her, no shit! Even she specialize in massaging on my testicles, /And I never trust her, a whole lot, even on the first date, she basically get her mouth rimmed,/And turn around and ask me for a kiss, no bitch I’m straight, /And I never really get concerned how my own dick tastes” Song “Seduction” describes having sex with a girl after she gets drunk Transphobia: Transphobic comment and objectification of Lady Gaga in “A Kiss:” “Tell Lady Gaga she can quit her job at the post office / She’s still a male lady/Wouldn’t fuck her with her dick, you heard it, the verdict’s in” Transphobia in “A Kiss:” “Throw it in reverse and drop the trans/I’m in a trans man look at this bitch dance” Transphobic and objectifying comments about Kim Kardashian in “We Made You:” “Damn, I think Kim Kardashian’s a man/She stomped him, just ‘cause he asked to put his hands/On her massive, gluteus maximus again/Squeeze it and squash it and pass it to a friend” Homophobia/Lesbophobia: Homophobia in “Can I Bitch:” “Dr. Evil with his bag of tricks for/this little antagonist f****t dick-suckin’/Ex-LL Cool J fan from Windsor/I’m ‘bout to murder little Kenny f*g Keniff-sta,” “Some shit about a message you left /Oh shit, that’s not an “E” that’s an “A”/This dude wants to leave me a “massage,” he’s gay!! /Right away I’m on the phone with Dr. Dre /We got a bogey! (Marshall I’m on the way),” then describes murdering said man Homophobia in “Bitch Please II:” “heard the CD using the f*g word so freely/it’s just me being me, here want me to tone it down?/Suck my fuckin dick, you f****t” Compares homosexuality to bestiality and implies it can be cured in “The Real Slim Shady:” “But if we can hump dead animals and antelopes/then there’s no reason that a man and another man can’t elope/[EWWW!] But if you feel like I feel, I got the antidote/Women wave your pantyhose, sing the chorus and it goes” Y’all f*gs know,” “I might rap tight as the snatch of a fat d*ke” Lesbophobic “conversion” and predatory comment in “Bagpipes from Baghdad:” “In the bed with two brain dead lesbian vegetables/I bet you they become heterosexual/Nothin’ will stop me from molestin’ you/Titty fuckin’ you ‘till your breast nipple flesh tickles my testicles” Homophobia in “Criminal:” “My words are like a dagger with a jagged edge, That’ll stab you in the head, whether you’re a f*g or lez, Or the homosex, hermaph or a trans-a-vest, Pants or dress - hate f*gs? The answer’s ‘yes’” Lesbophobic “conversion” in “We Made You:” “He does not mean to lesbian offend/But Lindsay, please come back to seein’ men/Samantha’s a two, you’re practically a ten/I know you want me girl, in fact I see ya grin,” “Sorry Portia, but what’s Ellen DeGeneres/Have that I don’t? Are you tellin’ me tenderness?” Fetishization of Bisexual women: Fetishization of bisexuality and objectification in “A Kiss:” “Ho, we can share you in the back of the Mclaren, I don’t give a fuck/What your name is, Were gonna call you Hot and Bi, I hope you’re Bi “ Ableism: Made light of suicide in “Cum on Everybody:” “My favorite color is red, like the blood shed/from Kurt Cobain’s head, when he shot himself dead,” “I tried suicide once and I’ll try it again/That’s why I write songs where I die at the end” Made light of self-harm in “Cum on Everybody:” “I’ll probably be dressed up like a mummy with my wrists slit” Use of r-slur in “Shake That” Sanism in “Fast Lane:” “Really I belong inside a dang insane asylum, cleanin’, try them trailer parks/Crazy, I am back, and I am razor-sharp, baby” Racism: Racist Nationalism in song “White America” Sarcastic comment about his appropriation of rap culture in “Without Me:” “Though I’m not the first king of controversy/I am the worst thing since Elvis Presley, to do Black Music so selfishly,” then says it works to get him rich Erasure in “Jimmy Crack Corn:” “You can be black, white or a albino yeah/You can have corn rows inside your hair/I give a fuck if I don’t like your stare/This bottle of wine goes upside your head” Assorted: Music video for “Just Lose It” makes light of child molestation Wrote a song about murdering people: “Hurry up with the cash bitch, I got a ride waitin’/Shot a man twice in the back when he tried escapin’” Wrote the song “Stan” about a fan who, inspired by his music, kills his wife and himself, and responds that he was joking and is surprised that his music would make that look okay Reference to incest and bestiality in “Wee Wee:” “Pretend she’s your little sista’! - Little sista’!/Might as well take the whipped cream with ya/And when you see her, make sure you get a picture!/We could try to make another “Blair Witch-a movie”/A beastiality porno with smoothies.”

eminem is a literal piece of shit and one of the worst thing that happened to the music industry since... ever. he literally wrote a song about killing his ex wife and about having sex with a 12 years old (among like another 100 others fucked up things). people who praise him and ignore those facts are disgusting and i hate disgusting people

wtf are those songs

i'm able to have my own thoughs about people without letting my fave's influence me don't worry

i hate jon bellion since i found out he worships feminem and trash west

Toxic vs Break the Ice

can't believe someone chose mr saxobeat over west coast. actually can't believe someone chose anything over west coast When Loves Takes Over vs Only Girl

Mr Saxobeat vs West Coast